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Where Did Madame De Pompadour Draw Together Enlightened Thinkers In Salons

The Art Bulletin

journal article

Mme. de Pompadour as a Patron of the Visual Arts

The Art Bulletin

Published By: CAA

The Art Bulletin

https://doi.org/10.2307/3045718

https://www. jstor .org/stable/3045718

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Abstruse

Mme. de Pompadour, through her purchases and policies, is widely believed to accept been a ascendant force in the visual arts in France during the years around 1750, when she was the mistress and "friend" of Louis 15. An examination of the prove for her involvement in the arts shows, however, that her action was far more limited in intention and effect than has been thought, and points to a demand for further research into many monuments and artistic developments long attributed to her initiatives. The possible reasons for Pompadour's limited role in the arts are considered in a postscript.

Periodical Data

The Art Message publishes leading scholarship in the English language in all aspects of art history every bit practiced in the academy, museums, and other institutions. From its founding in 1913 the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in gimmicky art-historical practice. The journal, which welcomes submissions from scholars worldwide and at every career phase, is published four times a year in March, June, September, and December by the College Art Association.

Publisher Information

Founded in 1911, the College Art Clan... Promotes excellence in scholarship and teaching in the history and criticism of the visual arts and in inventiveness and technical skill in the teaching and practices of art. Facilitates the exchange of ideas and information among those interested in art and history of fine art. Advocates comprehensive and inclusive pedagogy in the visual arts. Speaks for the membership on issues affecting the visual arts and humanities. Provides opportunities for publication of scholarship, criticism, and artists' writings. Fosters career evolution and professional person advancement. Identifies and develops sources of funding for the practice of art and for scholarship in the arts and humanities. Honors accomplishments of artists, art historians, and critics. Articulates and affirms the highest ethical standards in the bear of the profession. Authorization to photocopy texts for internal or personal utilise (beyond that permitted by sections 107 and 108 of the U.S. Copyright Law), or for one-fourth dimension, limited-term nonprofit educational utilise in coursepacks or closed-access academic grade Intranet websites, is granted by the College Art Association without charge. For other uses, delight start contact the individual author and/or other rights holders to obtain written permission, then the College Art Clan.

Source: https://www.jstor.org/stable/3045718

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